ith the return of exhibitions, theatre and live music, a burning desire for escapism and a need for entertainment that goes beyond our screens is tangible. Higher numbers of commuters are reading on their way to work, whilst pre-booking has become second nature - gone are the days of simply strolling up to an exhibition, restaurant or gig.
There is a hunger for culture, with London exhibitions leaning into this by becoming as transportive and immersive as possible. Yayoi Kusama’s Infinity Mirrors at the Tate Modern or LUX at 180 Studios are two examples of curation that are so hypnotic you’re left with little awareness of space and time.